Wednesday, July 27, 2011

A VISIT TO PRINCIPIA...

The term Alma Mater doesn’t usually mean much to me. While my time at DU was certainly a seminal experience for me, I never have felt the sense of “bounteous mother'” which the Latin suggests... but seems now much more descriptive of Stephen’s relationship with Principia College, where he began his education after leaving home & high school.

While he was accepted at Harvard, which would have been his father’s preference, he followed his matriarchal history instead, choosing to attend the same small Christian Science school from which his mother & aunt had graduated. That decision represents a still omnipresent dialog describing his familial core & defining the strongest influences I know in him... his intelligence comes from the very deep matrix of Helen, even as the form of such rock has been hewn by equally useful Ottonian tools.

The campus atop those limestone bluffs overlooking the Mississippi River at Elsah, Illinois, was designed by the eclectic California architect Bernard Maybeck in the 1930's.

The 60-mile drive north of Saint Louis, into more of that history, has long been anticipated as an essential sharing for us. I’ve heard his stories about this campus from our beginnings & I was pleased when we were able to make this road trip inside our travels last month, which included the American Bell Association’s Convention in the Gateway city.

We’d discussed renting a car for the day, but were delighted when Mohan & Deepa, parents of the bride whose wedding around which we designed our travels to India in 2004... offered to facilitate & share the adventure, driving their car. They were visiting Anjana, Derek, Stephen’s second cousin, & their two-year-old daughter Kavya... now living in Saint Louis & with whom we’d spent several days of family time before the convention began.

I celebrate having kept in rather close contact with Deepa because we share linkage via our blogs. To be able to enjoy more time with these friends was additional bonus since we feel strongly that sense of the joining of tribes into a larger diaspora which that wedding in Bangalore created for us. I could not help reminiscing on the cultural similarities & vast differences between those worlds while being driven by an Indian man competent on US freeways!

Crossing the river over a lovely contemporary bridge into Alton we are aware of the high flood waters which drew closer than usual to the highway built against the bases of limestone bluffs along the Illinois side.

There is a bird or dragon named the Piasa, painted on one of the cliff faces above some caves as we got near. While apparently there were native paintings reported at one time further down river, this is obviously a modern version, more mythical in a European heraldic manner. The historic pictographs probably were related to the Cahokian Mounds culture, which is another excursion we wanted to make while in the area, but is now saved to our list for another time.



The little village of Elsah is a quaint, well cared-for antique. Many homes have been restored, even as some maintain a more weathered visage...


One of the first clues to the architecture we’d come to view was this bench in a walkway built in a style much later than the original Maybeck plan, which intended to mimic the look & feel of an English village using timber & native stone facing on poured concrete structures.


For Stephen this was looking into the past...


The effects are often sweetly arresting... still more campus than village, particularly since the buildings are scattered within a very generous space.


I especially appreciated the detail of sorting roof tiles in a graduated color scheme:
The contrast with later construction is jarring, even as I can see limitations inherent to the original concept... particularly as viewed through the commonality of a mid-twentieth century lens. Deepa is seen here in front of such shift. She posted early-on her own version of our excursion on her own blog here... which begins with her visit to the Bell Convention.

To repair to dorms such as these would indeed offer a fine & useful balance...
I found many details I liked: elaborate beams in the common room of one dormitory, copper downspouts, painted shutters, linen-fold paneling & that constantly unexpected mix of raw concrete with stone & wood... becoming quite "rustic"...




Even the chapel's traditional look was formed of the ubiquitous poured concrete, as I saw in the ceiling:


Without doubt my favorite building was this small cottage... the architect’s study building, which he called "the mistake house"... where he experimented with the various techniques used to imbue the “English Village” style atop the quite untraditional poured concrete construction.  Stephen has a particular fondness for it as well, explaining he reserved it for a several week retreat space one year. I like this shot of him, which accentuates its miniature scale...


Stephen says there were tiles on both sides of the roof, but I found it interesting to see the underlying form of roof...


Here is Stephen [that is Mohan behind him] in front of his own dorm, so I can easily understand how he wanted to spend such time in the cottage. I love having now a much better appreciation for the setting of his stories from those college years...


Wednesday, July 20, 2011

SCI-FI HARBOUR...

I was in Seattle yesterday for regular visit to my dentist, whose office is in the Pike Place Market... enjoying visiting favorite haunts on a rare afternoon in my old city neighborhood, including the very urban Steinbrenner Monument Park, which presents views over layers of concrete infrastructure & roadways out over Elliot Bay.  Today I watched a rather stately dance of curious vessels, if such having more superstructure than actual hull can thus be called...


The dome shaped one we had seen moored deeper inside the harbor for some weeks, so I was pleased to be present with my camera on the very day it seemed to be leaving port for what must be presumed a more strategic place for its electronic visage...


From up the Sound came a floating erection to match & contrast its form... which now could only be viewed as bulbously feminine.


These two were obviously designed to do something else in the water than to carry cargo. The dome would seem to be something to do with radar or communication...


The other looks like a drilling rig of some kind...

.

As it became obvious they were going to be meeting in the middle of Elliot Bay for some curious tryst a number of watchers gathered with me to make photographs.


While I only imagined their stylized conjunction, even a ferry & another barge seemed scheduled to celebrate this watery nuptial...

Wednesday, May 18, 2011

A BEACH WALK, AFTER OPEN STUDIO...



The Spring Open Studio weekends were at least successful in sharing the bells' design range & educating the steady stream of visitors about some of their production processes. While the business continued to reflect our difficult economy, exacerbated by the resulting increases in cost due to the precious metals' market, the bells still seduce with delight & frequently plant seeds toward future sales. As always after these tours I feel well stroked in the appreciation for my work.


The garden attracts much attention as folk walk down through the several paths toward the studio's entrance, allowing me to sometimes joke from the door that this is a studio, not a garden, tour & that it is time for them to come inside to play with the bells! The Petasites is once again a star, with its huge leaves, which seem particularly verdant this year. We've had to actively cull them in past weeks from our several plantations. Stephen had potted up numerous roots to give away but we had to dig even more to meet the requests for starts. They really are spectacular & I used some to make an arrangement with branches of lilac blooms for the buffet...


One clump greets from the road... from where signs direct down the steps of the main path to the studio in the lower floor of the house...



Another path to the bells wends through the newer north garden. Forget-me-nots have become a welcome weed throughout our gardens. Now we will begin to pull it out to free space for the plants they surround, often now too closely...


Looking back up that way one can enjoy the blooms along the horizontal limbs of a viburnum..


A view from in front of the studio contains a rhododendron in bloom below the first buds of a potted hibiscus. The water of the tide, now up, is visible beyond the birdhouse. We'd earlier noticed a wren beginning to build a nest, but it seems all the traffic of guests discouraged that family... sigh... 



We've planted more Petasites in two wine barrels below the Prow deck to enjoy their water-lily-mimicking leaves while looking down to the water of Puget Sound...


No, this isn't any flower usual to our garden. It is one last view of Petasites... the stem of one of the leaves in that arrangement which had wilted. When I removed it I was struck by how it had splayed into a bizarre looking soggy sculpture...



I always need several days to recuperate from the output of energy necessary to clean & prepare for two weekends of continuously intense personal interaction with several hundred curious visitors. "Show Time" seems both rewarding &... grueling.

So today Stephen & I took a beach walk to enjoy the lowest tide of the year at noon. It is an opportunity to view Soundcliff from a rare distance usually covered by the water of the Sound.


For several seasons we have looked out at a large tree which has stayed put out from the beach... rare for resisting so long being lifted & moved by even high storm tides. Usually not much, even of this size stays in place. We have observed collections of starfish in its roots before & expected them this time, but that mass seemed abandoned today.


The creatures were taking shelter under its trunk instead...


There were many of these wonderfully colorful & curious animals in better view all along the beach...


  

This variety is slimmer & more subtle in color. I'm now curious to discover more about them...


Yet another variety called Sea Stars were there as well, with many more tentacles...

 

There was a richness of the nests or egg cases of Moon Snails, which are fascinating for looking like  thin clay pots, delicately thrown on some water logged potter's wheel! 




Stephen discovered this nest of eggs, but we do not have any idea whose... they look almost tempting as caviar!


A ship came looming around the point as we were ready to climb home... 


Today I seemed to have the right eyes for finding the curious phallic rocks on the beach which I'm collecting to finish the construct in a bed planted with simpervirum alongside & between the foundation & the steps up to Stephen's writing cottage...





While I still have a pile of projects procrastinating in the studio, this is only one of the matching list of projects in the garden during this week forecast to continue sunny, if cooler than I wish...

Saturday, May 07, 2011

BIRDS, BUSES, BELLS & BEES...



This is an article I wrote which was published last week in one of our newspapers, the Loop...


BIRDS, BUSES, BELLS & BEES
... all on the Open Studio Tour...

By: Gordon R. Barnett

I've long appreciated the reliable history of the Vashon Artist Studio Tours... always the first two full weekends of both December and May. I have come to set my studio's seasonal clock by that schedule. Its logic is simple and useful for me whose bells often become gifts for either the winter holidays or Mother's Day. That schedule is one of the reasons I have participated for so many years, but I wondered how some other artists on the tour felt about those rhythms... and why they become regulars.

I think most artists on the tour would agree that the process of inviting folk into the work spaces we more usually occupy in solitude becomes an important teach / learning experience. We obviously want to share,  promote... and sell... our work. We thus teach through our craft and technique... AND we look forward to learning in turn from everyone accepting our invitation. Whether or not you’re a purchasing patron, your feedback helps complete the cycle of communication which art is about.

To explore the back lanes of our Island in the bloom of spring is an opportunity in itself. Then, to be invited to explore behind the fences and gates, into the newly aired and tidied-up working spaces of such a wide variety of creative Islanders allows you to co-create the excursion in your own flavor. It is doubtful you’ll be able to cover it all.

One way to start might be to find a "neighborhood" of studios, like ours here on Dilworth Point with three artists sharing paintings, jewelry,  garden sculpture and small wearable bells. The driveway to Steve Zartman's metal working studio is indeed next door to Kristen Reitz-Green's small carefully handmade pentagonal studio full with large paintings.

Steve was surprised one year to see a large bus, chartered for the excursion by a group from the city, moving up the single lane drive without first checking to see if there was room to turn that rig around! Somehow they managed, and while he appreciated the business from such a crowd, I suspect there was some cost to his landscaping! He is, like many of us, a gardener. His garden sculpture is designed to enhance such living spaces, while his jewelry works on a more intimate scale.

Before moving to the Island five years ago, Kristen was a professional musician, playing and teaching the french horn. Now she's made a huge leap into boldly painting oils on canvases -- ranging from the small studies, which become her bread-and-butter sales, to richly colored large images of food [...think 4-foot bowls of Fruit Loops or a huge glistening close-up of a succulent sandwich!] That she began her first study of painting with Pam Ingalls is obvious, yet that she has moved [with even more obvious individuation] gracefully into her own style in just a few years is impressive. She raises chickens & paints them alongside sensitive studies of children. One year when she had an excessive gaggle of roosters she gave several away to studio visitors... unpredictable opportunities abound on this tour!

Because I love and collect eggs, even making some myself, I'm pleased that the calendar this year makes for a late Easter so that Emily Pruiksma's Ukranian decorated eggs will be quite in season! We share the use of wax in our work, although the hard wax I use to make the models for my lost-wax cast bells is of quite a different nature from the bee's wax used to make the hand dipped & often sculpted candles made by Emily and her husband Shane at Fiddle Home Studio. Additionally the technique of decorating blown egg shells involves wax to develop the complex traditionally geometric patterns of a culture celebrating the spring holiday even more than the winter.

Emily's studio is a quintessential Island experiment & experience... bringing the cycle of living and working with nature closer to completion. They keep bees, using the wax produced to add with other, sometimes also local, sources of their organic raw material. Bees are a currently newsworthy important part of our ecology, so the cows which pose on this farm for the cameras of studio visitors & the window looking from the yurt into the chicken coop, dubbed the "chicken TV" to occupy younger visitors all necessarily depend on the cross-pollination of species, including artists!

Saturday, March 26, 2011

The Egg Returning...

While it may be premature to show this, I have played today with images I made last November, making a slide show... a technique quite new to me... so I'm anxious to share the accomplishment of both that learning & the piece of my creative history I am pleased has come back into my possession...

First, a bit of introductory story...

I was commissioned to make this object in 1983, during the years I was working in Sedona, Arizona. It was to be a gift commemorating the birthday of a patron of mine from his partner. They knew I had long dreamed of emulating the fabulous eggs made by Faberge for the last two Russian Czars, as Easter gifts to their Czarinas. 

You may google to find many images of these rare pieces, but unfortunately most are not of quality resolution. I will share just a few of my favorites to introduce the tradition I followed in my own manner.

The first was quite simple, enameled white which opened to introduce a gold yolk which opened in turn to reveal a small hen... 

Over the years they became much more elaborate... with colored enamels & stones...


 I love the mosaic of this one, a relatively smooth texture... almost simple, compared to many others!


The Coronation Egg shelters a miniature replica of the state coach. 


The Kremlin egg is a favorite to my love of the architectural...


So the bar was set high for me & I knew I could not match the materials in our budget, but I wanted to attempt making a piece which hinted at richness & reflected some similar elaboration. The metal of this egg is sterling silver, with some gold details inside.

Little did I know at the beginning what an adventure the project would become! I wonder if I might not have reconsidered if I had, but in that moment this seemed a dream come true. I blithely made an estimate, collected a deposit & began to lathe a blank wax on which I could begin to draw & design.

My client suggested the theme of iris & heron, offering as example a painted image he liked. Additionally, he requested a pagoda, which I resisted at first, but which ultimately became a very functional part of the design... as the hinge allowing the piece to open. Most Faberge Imperial eggs had "surprises" some sort & I knew I wanted to plan toward some similar device as well. 

I acquired several pieces of mastodon ivory from another jeweler friend who had long worked with that material... which, unlike elephant ivory, is legal because the animal is extinct. The tusks occasionally are discovered in the melting glaciers of Alaska which have preserved them for thousands of years. I carved two heron from that lovely warm almost amber-colored bony texture, which resembles quite hard-dried soap

The bird on the outside is carved in low relief, nearly flush with the curving surface. The second heron, sculpted in the round, anticipated becoming the surprise, as the interior would become the same scene in three dimensions.

I collected faceted trapezoidal chrome tourmalines to tuck their deep green into the leaves & oval tanzanites, whose purple color suggested the blooms of iris . When it came time to fashion the catch, I used a cabochon sapphire as the thumb piece. Finally, I cut a flat slab of lapis lazuli to suggest a lake collected in the bottom of the interior.

The sequence of the process was quite experimental as I gradually wrestled how to pull all these notions & parts into some cohesive concept. It is interesting that my journal seems to record very little about this project... although I have not re-read the entire period as yet. My memory knows that it absorbed me for some 18 months, missing the first deadline & being finished almost literally on the day of the next birthday, when it was concealed under an egg-shape, woven of palm leaves, as part of the floral centerpiece during dinner until being lifted for the presentation of the egg,  just before dessert with champagne.

The slide show will explain more, even as it still will mostly only present the exterior. It will show the piece in its present state, needing repair. The ivory has dried & cracked in the desert atmosphere & several parts are lost, needing replacement. I'm researching how best to accomplish that restorative surgery. I will make more photographs when that work is finished. 

I also need to document how the mechanique of the engineering works as joinery of more than a dozen pieces with a variety of clicks & clamps, hinge pins, cams & toggles... all of which were contrived to allow me to assemble the total hundreds of times during the design process... plus to disassemble it now for cleaning & repair. A manual, as it were...

Enough of words without the help of images! Here is the egg!