Showing posts with label round book. Show all posts
Showing posts with label round book. Show all posts

Wednesday, February 23, 2011

DRAWING IN CIRCLES...

While sitting inside the Heart Circles at the winter gathering of Radical Faeries at Breitnbush Hot Springs in the mountains of Oregon last weekend I made this drawing in the round book I have shared in an earlier post. These circles are sacramental events lasting three hours each morning where the center holds opportunity for individuals wishing to share their joys, or to wrestle tough questions... & too often to bring their pain for potential healing inside this cauldron of acceptance in loving safety. 

[Click on the photos to enlarge them]


The first morning I only made the circle of the margin as I listened, beginning the process of collecting the meditative mood I use to intuitively "translate" the ideas & words, the voices & mostly the wide range of emotions into some visual form which reflects in some abstracted manner all that which cannot be literally shared outside the confidential enclosure otherwise.

I came to so love the simple line drawing which came over the second & third days that I was loathe to add the chiaroscuro shading I usually use... but on the last morning as I listened to a particularly difficult story I came to know I could not omit the more fulsome dark which all light requires as contrast. I brought it home to finish last night. Those denser tones require delicate building up with much care on the soft texture of the rag paper's surface which the pencil lead can crush if too much pressure is used, making furrows which actually resist taking more layers of graphite. As the pattern took more form in the process I came to love the further result as much as the original simplicity.

While making these-less-than-perfect photographs I also shot one page back-lit, bringing the previous drawing into a new combination. I've had the notion of experimenting with cutting openings in pages to reveal multiple drawing in several layers. That will take gumption not yet found! I continue to explore the infinite possibilities for this book, which will, I suspect, take the rest of my life to fill all its 100 pages...





Another detail, of a previously posted page, uses the opposite effect, the shadow of the slightly folded book makes a strong abstraction, also displaying the rather heavy laid lines of the paper's manufacture which affect the heavier tones.


The page before the one I just finished is another imaginary cityscape, rather like the more elaborate one posted here...


We experienced less snow than was forecast for the time we were encamped... still the decoration was freshened each day. Sometimes it dusted just enough to heighten my enjoyment sitting in warm lithium laced mineral water caught in a rock pool perched overlooking a meadow to the river below... while flakes melted on my pate.

One afternoon I caught the late slanting sun illuminating ice on trees deep in dark woods... a challenge I did not quite do justice with the camera in my haste to grab that light.



 Now that's chiaroscuro!

Friday, February 05, 2010

DRAWINGS...



As I was preparing for the recent holidays & our travel to visit Stephen's family in Minnesota, I worked on a series of drawings for gifts. Beginning during the quiet, halcyon time around Solstice, I chose scraps of rag paper from long ago watercolor days for their intimate size & their character, with torn & decked edges. These were to be more in the style of "cards," which in the past were presented as & along with other gifts.

My own family long ago decided to forgo prescriptions for holiday gifts & instead to celebrate & gift each other in our own ways & our own time. For years we gathered at my parents home during times of the year when we could more easily be together outdoors. Christmas in July or September was more usual. I'm happy that we let go of obligatory expectations toward wrapped gifts...

So these bon mots in pencil on these paper objects seemed suitable... they were portable & I worked on finishing several of them on the plane. They became quite personal as my pencil danced inside the mythology of my relationship with each recipient. Still, on Christmas morning, hardly wrapped with only simple bows of the red string for which I have a penchant, my gifts were initially met with understandable puzzlement amid the detritus of paper & ribbon from the pile under the tree.

Lest I be misunderstood, let me explain that Stephen's family does rather more practical than frivolous gifting. Stephen & I have long encouraged re-gifting to share from our own collections & they grok that. Still there can only happily be room for some particularly special gifts. The spice of occasional extravagance is the blessing of the season. Such is what I gave, so I can only celebrate two other examples in their fortuitous harmony. Stephen's sister Alice gave him his 60th birthday present early... a strikingly handsome Native American beaded box:





Helen's gift to me is an Acoma Pueblo black pot, equally & literally handsome for being almost palm-able. The finish is so polished it's clay must be photographed like metal...

Two fragile objects to pack for the trip home! Wonderfully, they fit each other... the pot nestled snugly inside the box, wrapped to fit in my carry-on bag.



Aesthetic gifts always transcend mundane material... like life, all is mud of our earth given breath of creation. Glass beads on a woven box; highly worked clay; graphite on cotton rag paper; poetry dancing as vibrations on air...

Back to the drawings...

Later I created bits of time with each person to explain how I came to their markings...

Brother Mark & I are both Leos, sharing back-to-back birthdays, which encourages us to growl & dance together like our own versions of such cats. This is my lion for him.



Nephew Johnny has been settling-in with Kristen for a respectable while, so my drawing to them was about the work [see the shovel?] of relationship & the sometimes electrical polarity of oneness & twoness... I had difficulty understanding when I first perceived the cover-plate-ness of the image. There are pearls in there too, of course. Those beads are an archetype in my work since I was their age. These drawings take on a life of their own!



Niece Sarah is sweet, with spiraling curves & corners to turn as she changes careers & travels to follow her mate, while following her larger heart as well...



Nephew David is living quite a story for his 21 years. I followed some intuitive path to this creature, with a spine becoming a mortar board for the journey he's on... surfing seahorse & daunting dragon in his brain.


Stephen's sister Alice & her husband John parented the 3 young ones above... they are indeed close to a perfect family, as proven by their strength holding David through the trauma of his accident, now 20 months ago. That moment forever changed their family, welding them together in creative ways. Kristen was in the car with him, but avoiding the brunt of the collision became a sturdy part of his tenuous bridge back to normal life. Sarah came home from her first job to learn her role & path into some profession more directly helpful than marketing.

This couple look to me like the archetype of a good marriage... the long linear aspect of their drawing begins with a rather stylized stamp of an interweaving knot I have often used to bring in the strength of two intersecting lines which split to join in a moment of tense harmony.


They have replicated that ideal, growing together from their different roots to repeatedly learn the grace required of parents to continue. They've done it more than once. Now they've mostly finished the form & are testing tendrils toward the new of a future back to two.

One last drawing, for a most important person, required more time than I found in the flurry of the season, so I brought it home to finish it, with Helen's playful admonition that she wanted it done well!

I could only agree to our mutual wish.

Taking lessons that the rag paper I'd chosen was rather too coarse for the effect I envisioned, I began again on paper with a smoother tooth.

This is a fantasy I have long been cogitating for my round book & I still intend to do another version there, but the moment of the turning of the year allowed me to take time meditating on details describing the imaginary history of a city or world, with Italo Calvino's novel Invisible Cities as inspiration. Such endeavor was so much better than beginning my year with business inventory chores! I settled into work like I've not done for some long time... with genuine pleasure. I do love to draw... & I wrote verse to make my explanation...



PLANTED IN A CRYSTAL BOWL
FLOATING SINCE SOME WISER TIME
GROWS A TREE SO ANCIENT
ITS LEAVES ARE NOW SCROLLS
FADING TO FORGETFUL INVISIBILITY

WHOSE ROOTS HAVE LONG SEEPED
DEEP BEYOND SUCH CONFINES...
TETHERING THIS CITY
CENTERING QUIET IN ITS HARBOR...
PORTAL TO A CHIAROSCURO WORLD

Wednesday, February 21, 2007

CIRCLING WITH FAERIES...


Back this morning in the nest of our home I am basking in rare sunshine & the memories of what must be something like my 20th time circling with the Northwest Radical Faeries at Breitenbush Hot Springs, deep in the woods of central Oregon's mountains, where we have gathered for the last 25 years.

This is a spiritual gathering of mostly gay men who feel called & re-called to the mission of creating & re-creating magical space for healing themselves & the planet... a far flung ambition, no doubt about it!

Harry Hay holds a position of honor as one of those who made the call for the First Spiritual Gathering of Radical Faeries in 1979 which now has become an international collective of rather anarchical groups who continually reinvent ourselves. We are a rare example of what is actually the very [pre]historic process of coalescing humans to consciousness around deep seated need to advance what it means to be human.

Too much groundwork would be necessary to bring you fully into appreciation & understanding... even we do not know quite who we are most of the time! But I want to attempt that impossibility by narrowing my focus to what might be considered our basic sacrament, which we call Heart Circle.

I illustrate sharing photos of an experiment I began several years ago, which now suggests itself as an ongoing personal practice: a book, which I first saw some four years ago in a Florentine paper shop, but passed it by as impractical for my journaling. Stephen presented it to me nonetheless some days later, in Rome, on my birthday. It is gorgeously handmade, rich paper bound with a leather spine & marbled paper covered boards.

Half moon shaped, it is a crescent which becomes fully round when opened... which shape is why I was first both attracted to it but then observed it being impractical for my squarish calligraphics. Still, he knows well how to feed my heart...

Heart's song happily often creates askance while dancing antithetical to practicality. I do love the book so I've dedicated it to drawing rather than writing, however rare it is I have time in quality to sit with such importantly playful work. Much needed education has come through while I approached this project of drawing a skin of graphite over/onto the soft ribs of such heavily laid cold pressed rag paper. Much pencil pressure will easily cause the surface to crush, introducing even stronger texture... to this I must be student.

The laying onto tone over careful tone, more shading than crosshatching... chiaroscuro become meditation.

Such drawings become lengthy studies... significant investments of time... I've managed to fill only 8 or 9 pages so far, or paired pages, since I am making these drawings to fill that full circularity. Still, it has sat most of a year between some efforts.

While I'd brought it to Heart Circle before, at this gathering it began to find new strength in meaning to me. I stopped being concerned it might be disrespectful in the larger context as I considered that it is not unusual to see faes knitting or doing hand sewing. I come to see circles within circles as I continue my exploration with this format. The aspect of mandala... which Sanskrit makes disc obvious.

Circling is primordial human activity... "Wherever two or more of you are gathered..." reclaims a sacrament far older than that quotational fragment. Ancient peoples formed eons of family & tribe on this model. Holding circle creates & describes community at it's most basic level. Curiously, we have mostly lost the form because more hierarchical natures have long prevailed to construct our ignorance for their power.

There is nothing of top down in a circle. There is only a totality wrapped in endless continuum. There is center... that which holds. There is oneself... there is then all one's others held in requisite communion... & love.

Faeries find organization in that consensual choice. We are not democratic. The larger portion cannot rule simply by size. All must be worked with so that the whole is healthy as possible. This can be immense struggle & very subtle work... within each self communing with all others. If those who say such wishes truly want to "save the family", I suspect something like this will be seen as one actually functional as well as logical way... which the father model seemingly cannot accomplish.

Faeries might take anything "organizational" with that sense of constructive skepticism, of askance, at whim. Any rule invites being met with creative breaking, just to prove the larger rule of historically evolutionary anarchy. ALL will ALWAYS break down, change... evolve... by atrophy, or recreation.

So one of the most important parts of every Faerie Gathering... or "Faeries' Gathering" as one friend, with more particularity to this point, calls them... is the Heart Circle, traditionally held in the morning at our Breitenbush gatherings. We sit together in the North Wing, the largest meeting space in the old traditionally timbered lodge, making ourselves comfortable & cozy on cushions with back-jacks to lean on. The circle breathes to expand & accommodate as more arrive... others leave at whim. This is no obligation. Some never attend, some of us are habitues, appreciating the energetics in this pulse.

At Breitenbush we might average some 30+ in number, gathering close enough to touch, perhaps holding hands in more, often snuggling or inviting newcomers to nestle into laps rather than to disturb the present & palpable connection... we try not to disturb attention while someone is speaking.

There are numerous variations on procedure. Some traditions pass a talisman, perhaps a "talking stick" to define the concentration toward the sharing, going around the circle to include everyone. In our gatherings, we allow those wishing to speak to take the center, putting no onus on those who might choose to remain quiet until such moment as they are ready.

We have long used a shawl as our usual talisman. Such a bit of "drag" seems to suit our sense of style. The one most currently used was made by a fae who created a richly patterned & subtly spangled triangle which is sturdy enough to stand up to being draped & dragged, played with in nervousness, tugged on & tossed while faeries speak with all the potential emotions, as well as to support a burgeoning collection of additional adornments accumulating to represent all the various gatherings at which it has been used. This shawl has traveled around the country & several times to Europe since its appearance five or six years ago. The Faeries meet regularly in half a dozen sanctuaries around the country. There are Eurofaeries & a new gathering developing in SE Asia as well.

There is also an "ancient" crocheted shawl which is now so weighted by years of feathers, bits of jewelry & patches & has become so frail, in spite of numerous repairs, that we do not actively use it. It has become curiously "hallowed" by so much energy... it has seen so many years of tears in joy or pain, so much stress of emotive anger & love, of holding the weight of processing such myriad matters of collective heart.

We gay, queer, two-spirited, bi & trans-gendering people have long been outcast, especially in patriarchal societies. We hold a powerful collective pain... we hold an equally powerful, but necessarily more subtle strength to survive. Prejudice again & again proves its ultimate weakness & insecurity although never without a struggle from those challenged. Much of the work done in Heart Circle has to do with healing the resultant wounds.

We are invited to speak from our heart & to bring such deeper energies to play by avoiding the foibles & the games of the mind. Courts & Senates abound... "logic" is how we've come to many of the difficulties in this world which we would now attempt to dissolve with the subtleties of love.

We tell our stories inside these circles. We witness our sister-brothers in the joys & travails of their lives. We choose names for the beings we more truly are... or wish to become. We rant. We grieve our losses in the deaths & other passages of family & friends. We ask for support. We bare our souls.

One tradition, although this, as everything else in our unstructured way, is only one option, is to bare our bodies as we speak, bringing our nakedness to be seen in that symbolic honesty, because our culture has made such a poor bargain with true beauty & with sex. This must be considered when the media show only certain, very limiting, body types as acceptable. Before you recoil at this notion you must be honest with yourself about the images with which you are constantly bombarded inside your television or magazines. Does your body meet those "standards"? Is it possible you might prefer to be able to stand bare, finding approval from your peers?... How might it feel actually receiving open appreciation for your size, color, shape & weight? Do your clothes & cosmetics in truth help you compensate for the supposed deficiencies our commercial culture constructs to put us all mostly down? Could we all reach through the sales gimmicks & find some actual confidence in our truth instead?

Faeries feel that pain with all who are marginalized. Further, as gay men we easily contain our own version of that culture which puts so many of us down by impossible standards of gym bunny beauty, which is a curious form of white male privilege known as internalized homophobia. Being overachievers to begin with, simply to survive, in our frustration we take the societal norms to new heights & are often cruel to each other in order to find something feeling temporarily like a step up.

Faeries work to change this cycle... & it is complicated work indeed! It takes this strong structure of the circle... this geometry without corners where which one might stuff one's shit or try hiding with pain. As we face ourselves & look into the mirror of other eyes, we likely first see our own fear. As we share that fear openly we more easily resolve into softening acceptance & appreciation. Without so much need to react by threatening back... we may rather begin finding strength to love more, if not all possible selves. Coming into that welcoming love we may begin more easily to see beauty in all its forms.

Nakedness is belittled by accusations of sexual "impropriety" when it really is more truthful than to accept such from some god of easily manipulated words selling a slavish lack of true logic... if any god created the infinite universe, why would he put only a few narrow-thinking white men in charge? That concept genuinely seems a comic sort of "logic"!

Circles were useful process long before churches. We continue to prove for ourselves in these circles the truth of that. This would seem more genuinely to be "that old time religion". Still, faeries would not wish to be limited as a religion... we are more about spirit than can fit inside such limited definition.

So I brought my round book to the faerie heart circles of this gathering & attempted to honor that spirit in my particular way. In the third day's circle I sat with a new blank set of pages, an open invitation for the mandalic process. The point of my mechanical pencil naturally arrived first at the center. While I rarely speak in circle I can speak here in my own manner. The hearts coming bodily to the center that morning were often telling of feeling off kilter or of searching to find direction & focus. That resonated with the laid lines of these particular pieces of paper, which were going at slightly "clashing" angles.

My book's round pages are cut on many angles & mostly are folded into the folios differently one half page to the other. This requires me to consider how these subtle furrows will ultimately affect my drawing, which will only bring them more & more strongly into visual play under the darker tonalities. I began to draw that skew as honoring something indeterminate... describing a hand for a clock out of time, perhaps... or the pointer of a compass searching between polarities. I felt more the book's calling... Its quiet turning as I crosshatched in innumerable angles allows, requires, mirrors & celebrates the circles within, the circles beyond. Wheels within discs within processes of quiet noise & meditation.

I've 90 or so more pages... seeming a life's work... which gratefully feels less daunting than before. I now rather look forward to the promising permutations possible in such a concentrated evolution. I am invited to find new circles in working play!