Showing posts with label production. Show all posts
Showing posts with label production. Show all posts

Sunday, April 06, 2008

SPACE ODESSEY REDUX...



Today was precisely the 40th anniversary of the opening of
2001 A SPACE ODYSSEY

Stephen & I went to see a special showing of it at our local theater this evening.

Originally written by Arthur C. Clark, who died recently,
Stanley Kubrick's film holds up remarkably well. I was struck by
its mostly simple elegance & rather stately pace.



One image I had mostly forgotten over the years
was that of the humans suspended
in a state of hibernation inside body capsules
to preserve resources on a space journey...
which reminded me as I watched this evening of
those hauntingly beautiful ancient paintings I've seen
on the cliffs of Horseshoe Canyon in Utah,
which show a curiously similar silhouette.







The scene depicting the murder of HAL,
the perfect computer-gone-bad,
had me wondering if I could kill mine...



The enigmatic embryo of the last scene is still a bit puzzling even if it has also become something of a modern archetype. I'm pleased we followed our impulse
to grab this rare opportunity to see this classic film.



While it is not exactly related, I will share images of the latest wax I'm working on. A re-design of the SKULL bell, the original of which has always been too difficult to manufacture easily in the form it exists now. This is a smaller version with more [ahem] life in the action of its clapper & the pendent loop.

Some bells are rather more involved on the mechanics & engineering side... so, I've had intensely challenging fun playing with these aspects of this carving. I've had to work through several attempts at impossible fantasies.

Soon the question about whether to decorate it
or to leave it anatomically bare boned will occupy me...





We saw a fragment of a rainbow as we ate
an early dinner before the film.
While this one was photographed several weeks ago
it seemed to end at our new little deck...
I'll share its promise in closing.




Sunday, October 07, 2007

JOY IN TETCHY PRODUCTION...



The rains have begun early... sigh. My basil is browning out. I keep hoping for enough sun for one last push, for which the weather widget gives us only Wednesday... but so I thus need to harvest it for making a late rough pesto.




Except for the deer, oh... & the slugs... the potagere is fair set to make winter greens in nice variety. The chard which has been feeding us for several months will only improve through winter. The kale will thrive even better.

There are rows of new laciniata starts to begin maturing into those dark dinosaur textures. I will transplant some out into the borders hoping to coax their mature perennial forms, which can become quite sculptural when they perennialise over several years.

This view of the raised beds shows an Arcosanti bell which my parents gave me when they left the big retirement house in Monument, Colorado.





The sculptural forms I have been playing with the evening several ago when I began writing this were clappers for the DRAGON bell. I have been playing with variously colored stone beads, as well as the more habitual pearls, to set into the claw of that clapper...





For the days since I have been concentrating on assembling the earring castings I got several weeks ago. James has recently brought the finishing back "in house" after several years working with a skillful metalsmith who's studio is in Olympia now needing to care for his arthritis... I've been working with new employee teaching techniques & preferences for finishing the bells.

I prefer to assemble the earrings myself, since they are rather tetchy & I am always playing with adding some color using beads for some clappers & experimenting with other details. This is mostly a taste thing as I must also try to dance with my market. Earrings must be expensive, for the obvious, or often not so obvious, fact that they require two bells. They want be more delicately tended & then must match each other in details such as how the clappers hang visually... as the pendant bells do not. Thus they have not made a large part of my sales... but.... I have ordered more than usual to see if I can do better with more choices. We will see...

I've had my digital eyes busy in the light box, making shots of the earrings for the Open Studio brochure & eventually to post on the web site. That involves using sticky wax to mount them onto frosted Plexiglas in perfect static positions so that they "float" in well lit white vacant space. I discovered, after making numerous shots of one pair, bringing everything into that perfect lighting & exposure, that I'd missed the fact... glaring at me when I saw them on my computer screen... one of the clappers had gotten caught-up at an awkward position. So many little things can go so terribly wrong! It makes one wonder if it all is worth it! But, of course, it ultimately is.

I now have many more of those photographs to make



One of these will be my image on the December Open Studio brochure.



The HOLLY & IVY bell is rather perfect a an earring. Its small sweet voice can come from garnets &/or pearls... holly berry red & ivy white.

I have been rediscovering the joy I take when I get into the mood to do this labor of polishing & assembly. It is dirty work. Frustrating to get all the parts fitting nicely into a song of liquid movement small enough to hang from ear lobes. I've had time to reflect on a lifetime doing such work... working as well to avoid it! I come again to realize I must do some of it myself no matter what.

There is simply no substitute for my own perfect methods & care!

While the grit & grime does not fit with my latter day prissiness, nor does the length of time required to approach this kind of work before actually getting into it's groove fit easily with my partner's schedule of social presentability measured only in hours. When I do finally get into that zone I want to stick with it for several days, at least, no matter who we invited to dinner how many months ago.

While he is away traveling in Italy for these weeks I have been wallowing in rare lack of schedule & luxurious solitude. I've got fingernails blackened with all sorts of productive fun.

Between rainstorms I have been enjoying trying to capture something of the many incredible spider webs which decorate everything in the garden & most windows of the house. To grab focus on an an ephemeral object which is actually a sail to any breeze presents a challenge requiring lots of luck in the moment.







This one used the outdoor light as part of its hunting ploy.





I have almost completed the steps between Stephen's writing cottage & the house...





I close with this bit of autumnal fire beginning to smoulder in the smoke bush.