Saturday, June 21, 2008

SOLSTICE SOUNDCLIFF GARDEN...



Our first day of summer is typically overcast. Nonetheless, that light allowed color to glow from the lush growth in our garden. While there are plenty of neglected spots & even some substantial weed patches, my camera found views which celebrate the results of the cool & rainy days of our lingering spring weather.

The work of polishing out the new bell masters & molding them for production has kept me in deep nocturnal mode for recent weeks, so I have not gardened so much as I would wish. But I have been working to distribute more of the compost we've had delivered.

Our south lawn is shady, a composition of textures in numerous greens...



The Acanthus, or "Bear's Britches" has become an annual stalwart inhabiting that part of the garden. Its sturdy spikes are beginning to reach sunward...





Like the Lady's Mantle above the greens begin to give way to other hues. The spots on this plant for which I do not know a name, hint to remind me that it later sends up delicate spikes with small red flower balls. We are learning that the St. John's Wort we appreciate for its lively beauty of red & yellow blossoms-becoming-berries is also good for holding slopes, so we are transplanting the seedlings down on our lower reaches..





An area beneath the window over my wax desk seems like a small fireworks display... energetically sending sparks of healing blessings toward nephew David, [read about that in Stephen's blog here] for whom Stephen planted the Dianthus inside a bed already blooming with Lavatera, Allium, Peony, among others... plus a seeding bunch of Festuca grass!





The Allium is such intriguing sculpture...



The north yard is more open... sunnier for the food crops in the four raised beds & adjacent borders. The new deck sits on the edge.


The circle in the lawn is the bed of Roman chamomile which began as a cover for our cat Gertie's grave, which I've been keeping groomed & will soon cut a spiral out of it to plant more area. We love this sturdy ground cover for a story at the beginning of our acquaintance & I intend to replace large portions of the lawn with its fragrant softness...



The raised bed with a trellis is planted with snow peas, lettuce & a cabbage. It also supports several wind chimes, one a Paolo Soleri bell my parents gave me when they closed their house in Monument, Colorado.


The Cardoon, which is an artichoke's cousin, got tucked too closely between two Rhodies several years ago... I tried to move it, but too late, I'm afraid it has settled where it is. It is raising itself even taller in bloom this year, like the Mustard I am letting develop seed to save for planting later. It's obviously being a fine year for foxglove [digitalis]; there is an entire meadow of it nearby!




I'm also saving seed on both colors of Swiss chard that fed us over last winter. Their stalks are gorgeous structures...



A smoke bush gives the north border the wildest coloration combining deep silvery purples with orange accents, particularly on the undersides of the leaves!



A simply sweet small old variety of rose & the white papery Cistus also live nearby.


A Calla lily floats in the space beneath a Fuchsia...



Something newly fuzzy, a "goatsbeard" which Stephen brought home last week, is planted in front of a Hosta.



The birdhouse in the apricot tree housed a family of chickadees this spring, keeping the parents busy! I had hoped to see the young ones learn to fly, but that probably happened while I slept one morning after a nocturnal work session...



This year's big project has been the new garden on the clay slope north of Stephen's writing cottage, his Forge. It had been our typical clay, packed by the equipment which did the retaining wall a year ago. Steven Shaun helped me build the zig-zagging gravel path from which we could begin working organic material into that density to build tilth. I had a load of okara delivered, since it is a free resource from our local Island Spring Tofu factory. The material, derived from soybeans, is like wet sawdust. It seemed ideal for this project, but it does have some drawbacks... it can smell! We covered it with compost before the Open Studio to mask that increasing odor, since it did not have any opportunity to dry out in our weather. Even now I am only gingerly beginning to fork it up to add more mulch into some of the deeper areas of those new beds... I believe it is a good material -- I just wish it were more pleasant!



The result of all that process has been pleasing to watch as the plants we'd been collecting over several years in pots or temporary spots during that period of upset on our cliff settle into their new places, taking off better than could be expected.



The Lacinata kale plants which had been growing in one of the raised beds took up residence & have mostly tripled in growth! They are wonderful food, especially during the cold winter months, & can perennialize for 3-4 years in this climate, building meandering trunks & huge inflourescences of yellow blossoms.











The last of the iris dance with several white digitalis above a row of Sedum which also will live in their temporary spot for another year... there just was not enough gardening time between the rains to accomplish soil building in time to plant... There IS Always Next Year!



The next couple shots were made several weeks ago, when the Siberian iris were at their prime against a rhododendron.





This rainbow last week was the flattest one I'd ever seen... a rainstorm traveled through it as I watched...



Tahoma then came out to say her bon soir with the pink backlight of sunset...





Monday, May 26, 2008

SAINTE-CHAPPELLE INSPIRES SAINTE-CHAPPEAU...



There is a small architectural confection nestled deep inside a courtyard of the Conciergerie , a medieval palace in Paris, which I found to be even more incredible to on my second visit when we were there in March. [See my posting of March 17th...] This small royal chapel is justly famous for its magnificent stained glass windows. Here is a link to a site which allows you to traverse the entire surround of those intensely colored stories.

My own photos are less fabulous than I might wish... the light was low & I had no tripod... nor would one be allowed in a space which is always crowded with some controlled number of bodies. One is, however, allowed to stay as long as the experience holds... so we lingered several hours to watch the light deepen during a winter's short afternoon. I was disappointed, however, to see the chandelier lamps turn on at what seemed too early a schedule. I realize most would not appreciate the loss in public safety suggested in my desire to watch the colors fade into meditations on dusk. They are lovely chandeliers...

Thus, then, came an unexpected revelation from the designers of this space... there are secondary decorations... mosaics made with glass tiles, along with ample gilding, along the lower walls to reflect such interior light. Even as the glories looming above lose the light of day, the interior dark of evening gleams & glitters without losing a trick!

But, first, here are the windows as seen in my camera.








The painted & gilded decoration are sumptuous...





Notice the niches of the statures in it in the next photographs... there is inspiration for a bell in the "temples" above their heads, carved as the wax which which I will share below...



But first, here is the lower chapel, for the commoners, below the lofty space with the windows you've seen above... the heavier structural vaulting of what is the foundation for the upper chapel precludes generous leaded glass lighting, so gilding becomes the stronger tool to dance in low light...



My appreciative study of the mechanique to support those immense panels of leaded glass, was attended first from the interior aided by the binoculars I carry to bring such lofty details to my myopic eyes. These shots Stephen made for me, because I'd exhausted my camera battery, help explain the iron strutwork into which those glass panels are held by the wires & clips I'd observed inside. Stone columns, supporting ironwork framing suspending glass cradled by strips of lead... all masterminded during what we used to call "the dark ages"!



To bring the immensity of Sainte-Chappelle down into the scale of a thimble-sized bell I chose to use one of those "temples" I mentioned earlier... which seemed useful as distillations of this architectural extravagance.



Never to approach more than a suggestion of such complexities mixing all those architectural materials... this bell anticipates, however, ringing its own stories...

This is the wax near completion...



Because the major stint of work on this wax was done over Easter I have dubbed it affectionatly the SAINTE -CHAPPEAU Bell... what are those temples but saint's easter bonnets !?!



Saturday, May 24, 2008

WAX DESK BUBBLES...


How better to break a fast than with bubbles?



Effervescent views of my wax desk...hinting a bit like
something from the last too long lingering post...



Segue to the Slull Bell wax I've been working on...

Sunday, April 06, 2008

SPACE ODESSEY REDUX...



Today was precisely the 40th anniversary of the opening of
2001 A SPACE ODYSSEY

Stephen & I went to see a special showing of it at our local theater this evening.

Originally written by Arthur C. Clark, who died recently,
Stanley Kubrick's film holds up remarkably well. I was struck by
its mostly simple elegance & rather stately pace.



One image I had mostly forgotten over the years
was that of the humans suspended
in a state of hibernation inside body capsules
to preserve resources on a space journey...
which reminded me as I watched this evening of
those hauntingly beautiful ancient paintings I've seen
on the cliffs of Horseshoe Canyon in Utah,
which show a curiously similar silhouette.







The scene depicting the murder of HAL,
the perfect computer-gone-bad,
had me wondering if I could kill mine...



The enigmatic embryo of the last scene is still a bit puzzling even if it has also become something of a modern archetype. I'm pleased we followed our impulse
to grab this rare opportunity to see this classic film.



While it is not exactly related, I will share images of the latest wax I'm working on. A re-design of the SKULL bell, the original of which has always been too difficult to manufacture easily in the form it exists now. This is a smaller version with more [ahem] life in the action of its clapper & the pendent loop.

Some bells are rather more involved on the mechanics & engineering side... so, I've had intensely challenging fun playing with these aspects of this carving. I've had to work through several attempts at impossible fantasies.

Soon the question about whether to decorate it
or to leave it anatomically bare boned will occupy me...





We saw a fragment of a rainbow as we ate
an early dinner before the film.
While this one was photographed several weeks ago
it seemed to end at our new little deck...
I'll share its promise in closing.