Last night saw the completion of a project to build gates for the deer fence mentioned in the previous post... this morning I "penned" several pages to share my celebration & joy at the progress:
Sunday, November 11, 2012
GARDEN GATES...
Last night saw the completion of a project to build gates for the deer fence mentioned in the previous post... this morning I "penned" several pages to share my celebration & joy at the progress:
Sunday, October 14, 2012
!YES! FENCE ME IN...
Because they now are nibbling many plants in our landscape beyond the potager kitchen beds... even ornamentals which have been "safe" for many years... I wanted to fence the entire property, meaning almost 400 feet of length. A project made more daunting given the steep slope & uneven terrain through the woods from one cliff edge up to the road & house then down & around to the cliff edge again.
Fortune smiled when a young man named Tom arrived to help me realize such solution. He'd gravitated to our bell booth at our local Strawberry Festival in July... with a charmingly wide smile. At 19 he has finished his Associate's Degree & is heading to Evergreen College to begin studies anticipating his becoming a farmer… how could we not put him to work?!?!!
Tom wore this wrap of the netting so as to carry it down through the woods to keep it from dragging & snagging on the brambles before it got hung & fastened... |
Here he contemplates throwing a line to fell a small tree for a fence post... |
But we first needed to have some major tree work done, a clump of huge, too-old & diseased Alders were required to be brought down, before another fell as inopportunely happened last winter… blocking the road during a big snow storm.
The cherry tree which has always reclined will remain a character. |
In this part of the yard has long been a shade garden... |
Now the light has broken through... to our mixed emotions. |
Aaron has done such work for us before, although not at such scale |
The result is now much more open... |
Even as the trees fell crashing into heaps below... |
Piles of wood were bucked into lengths ready to split... |
Stephen consults with Tom about the work he will do... |
He contemplates the task... |
Answering with his predictable attitude... |
A large pile of debris awaits the end of our unusually long dry spell's burn ban. |
We used as many standing trees as possible, filling in with fence posts as necessary. We acquired a quantity of salvaged netting & rope we found for free in the city.
The north end of the fence begins down at the cliff to the left in this view |
... continuing along the road approaching the house. |
Looking back from closer to the house... |
down, around the wood piles, to end at the cliff on the south.. |
The aesthetic mostly works... |
Looking south, the coil of extra rope will be gifted to some other... |
Such definition of territory protects & gifts me with new richness.
Thursday, April 26, 2012
Leo Toye Returns...
I am flummoxed how to explain from scratch who Leo Toye is… being a part of me who's been mostly retired. Long ago… about 25 years... he came along as my doppleganger when I joined a group of artists in Sedona, Arizona to revive an Open Studio venture. We decided to publish a newspaper each month & I wanted to become a "columnist" & since I, loving that image of an inky feather quill pen, had always wanted a nom d'plume... Leo Toye became my pen name.
It seems I have always practiced calligraphy, remembering many posters made for High School campaigns & events, not to mention all the placards & signs for the department store where I worked after classes. Early on I gave-up my cursive... picking up my father's version of writing with a curious mix of upper & lower-case, mostly block letters, gradually coming to love writing all in caps, long before that became digital screaming. But then... I've always been a bit of a screamer.
Leo Toye's name is a literal description of my visual logo… that lion on wheels. The format was graphically columnar, of course. The medium was ink, thus the title TUSCH... meaning ink, most specifically the "india ink" with which I had a rather deep relationship, using technical pens to write my journal in that permanence.
I had danced, work/playing, with graphic design those middle years [early 80's] in Sedona, creating logos & labels for other businesses, so when we conceived making a monthly tabloid as our publicity organ, which declared a quaint anodyne to the slick-cover-magazine-culture supporting / supported by the galleries, I was there with a black & white sensitivity useful to newsprint.
Now, after some long periods of neglecting my journal, in part due to having become computer literate, as they say... believing I would journal digitally. I did not, for numerous reasons, mostly because the computer seems to lack similar intimacy as pen-in-hand fosters deeply private thinking. The keyboard supposes capability of publishing, while the ink flows from my hands in very different mental processes involving more soul somehow...
I have recently returned to that inky process which I realize as being important, if not imperative. I can only allude to the many stories I would tell, but this is still just the introduction to Leo Toye, who seemingly spontaneously resurrected himself when I volunteered to write a publicity piece for our upcoming Spring Vashon Island Artist Studio Tour. As I began making notes for an article in pencil I quickly found myself drawing the words as interactive shapes rather than sentences.
This is Leo Toye's art, a certain visual poetry... calligraphy making a composition of literate words & drawing dancing more lively than typeset on the page.
It seems I have always practiced calligraphy, remembering many posters made for High School campaigns & events, not to mention all the placards & signs for the department store where I worked after classes. Early on I gave-up my cursive... picking up my father's version of writing with a curious mix of upper & lower-case, mostly block letters, gradually coming to love writing all in caps, long before that became digital screaming. But then... I've always been a bit of a screamer.
Leo Toye's name is a literal description of my visual logo… that lion on wheels. The format was graphically columnar, of course. The medium was ink, thus the title TUSCH... meaning ink, most specifically the "india ink" with which I had a rather deep relationship, using technical pens to write my journal in that permanence.
I had danced, work/playing, with graphic design those middle years [early 80's] in Sedona, creating logos & labels for other businesses, so when we conceived making a monthly tabloid as our publicity organ, which declared a quaint anodyne to the slick-cover-magazine-culture supporting / supported by the galleries, I was there with a black & white sensitivity useful to newsprint.
This is a drawing I made for the front page of one OPEN STUDIO issue:
Leo
surfaced on my mind's drawing table & evolved in small body of
work of which I've always been proud. Leo could use words in a way which
mixed studious years of evolution inside the many covers of my habit to
journal with something attempting visual poetry. While I was angry he
could be enigmatic… I did indeed like having a doppleganger to blame for
my excesses!
Three of the columns:
We eventually became mired in the
publishing & the group wore itself out. Leo mostly retired, yet
"we" kept writing in my journal & doing the occasional bit of
calligraphy or design. I still frequently refer, in many stories
& much history, to Leo Toye when I'm playing with words
& ink. Now, after some long periods of neglecting my journal, in part due to having become computer literate, as they say... believing I would journal digitally. I did not, for numerous reasons, mostly because the computer seems to lack similar intimacy as pen-in-hand fosters deeply private thinking. The keyboard supposes capability of publishing, while the ink flows from my hands in very different mental processes involving more soul somehow...
I have recently returned to that inky process which I realize as being important, if not imperative. I can only allude to the many stories I would tell, but this is still just the introduction to Leo Toye, who seemingly spontaneously resurrected himself when I volunteered to write a publicity piece for our upcoming Spring Vashon Island Artist Studio Tour. As I began making notes for an article in pencil I quickly found myself drawing the words as interactive shapes rather than sentences.
This is Leo Toye's art, a certain visual poetry... calligraphy making a composition of literate words & drawing dancing more lively than typeset on the page.
The work begins in pencil on paper:
Then a tracing on drafting film, also in pencil:
The drawing is then traced in ink on film:
This stage was scanned into a program & finished digitally:
Notice that the lines about "grace" were replaced by digital "ink work":
Click the "read more" button if you would like to view the columns as larger images...
Click the "read more" button if you would like to view the columns as larger images...
Labels:
calligraphy,
drawing,
JOURNAL,
LEO TOYE,
Open Studio,
Tusche
Tuesday, January 31, 2012
Tying The Knots...
It is long past time I've posted anything, so to break my silence I begin with an old ambition: to share an instructional video I made several years ago, showing the technique of tying the cords on my bells. I teach this to clients in the studio & now all can learn!
More news is in draft form, waiting for me to finally finish my year-end letter...
More news is in draft form, waiting for me to finally finish my year-end letter...
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